Ewan Dryburgh (https://www.ewandryburgh.com/) has released a short video on his YouTube channel “IfaTreeFalls” showing him undertaking a Wood Ants Nest field recording using a couple of JrF contact mics and a LOM Audio Geofon. It’s a cool little video showing his process and allowing people to have a listen to the recording. Here’s the video:
George Vlad has written a blog post discussing some of the terms and approaches he uses in his field recording work, including discussion of drop rigs, tree ears, landscape nodes and more. Read the full blog post which includes a couple of videos on his website at: https://mindful-audio.com/blog/field-recording-concepts
Speaker system manufacturer L-Acoustics have been producing a series of short videos profiling the work of various sound artists, and recently posted one up about Chris Watson where he discusses some of his work and going through the process of making recordings of the Pacific Ocean at El Matador Beach, where he explores the rich … Read more The Artists of Sound – Chris Watson
This is a short “Technical Notes” article that I wrote for the Australian Wildlife Sound Recording Group’s Journal, AudioWings, a couple of years ago. It is intended as an introduction to what phase or polarity is in the context of nature sound recording. Thanks to Sue Gould, the editor of the journal at the time … Read more Understanding Ø/Phase
Around 2 years ago I needed to record some atmos/SFX for a scene for a feature film which featured some driving in a van. To cover it adequately for a 5.1 surround mix I used 6 microphones and did some takes or passes where I was using audio cues in headphones to “perform” the driving … Read more Multitrack Recording Van/Vehicle Sound Effects
At the Schoeps MikroForum 2018, Hyunkook Lee (Senior Lecturer in Music Technology and the Leader of the Applied Psychoacoustics Lab (APL) at the University of Huddersfield, UK) gave a presentation discussing psychoacoustics in a 3D sound context which included some fascinating information about vertical localisation for 3D and immersive sound recording formats. A key note … Read more Psychoacoustics of 3D sound recording techniques
It is sometimes useful to refer to a chart that shows some common decibel levels of sounds as a reference, and a simple chart with some examples every 10dB or so usually suffices, but today I came across a really details chart put together by Paul Virostek on his Creative Field Recording blog/site that details … Read more Decibel Sound Level Chart
DPA have some fantastic information in their Mic University and their page discussing microphone set-ups for surround sound and immersive audio formats is a really great primer covering some of the common approaches: https://www.dpamicrophones.com/mic-university/immersive-sound-object-based-audio-and-microphones I’ve recorded using various multi-channel/surround techniques, but my most common approach for ambiences is using an IRT Cross. Although the technique … Read more Immersive Microphone Set-ups
I’ve been a member of the Australian Wildlife Sound Recording Group (AWSRG) since early 2019 and as part of the group’s way of adapting to the current COVID times the AWSRG will be presenting some monthly seminars over Zoom. I have the honour of presenting the first one on 20 October which will be about … Read more AWSRG Online Seminar
Back in March I made a series of videos that discuss different approaches and techniques to field recording. The videos tie in with a sound design task that uses these sounds, but the sound design specific videos are for my students at Canberra Institute of Technology only. The field recording videos are aimed at people … Read more Intro to Field Recording Techniques Videos