Simon Hayes has written another great article for the IATSE 695 journal, this time focusing on his team’s work undertaking the production sound recording for the latest James Bind film, No Time to Die. Simon is an engaging writer, and obviously passionate about his work and sharing knowledge. I love that he gets to work … Read more Production Sound for James Bond
Simon Hayes has written a fantastic article for the Production Sound and Video Journal from IATSE 695 about the challenges of the modern film/drama production sound team, including the use of multiple cameras and expectations around wireless equipment etc. It is an excellent read for anyone involved with sound or producing for drama films and … Read more The Modern Production Sound Team
I was using a couple of digital mixers for a livestreamed event last night and there were some interesting audio/video synch issues which as far as I can tell so far relate to us using Zoom, rather than any hardware issues, however it did make me want to do a test of latency through the … Read more Digital Mixer Latency
DPA have some fantastic information about microphones and audio on their website, and they recently posted up a comprehensive article discussing speech intelligibility and some of the important aspects of the timbre of the voice and microphone placement. Read the full article at: https://www.dpamicrophones.com/mic-university/facts-about-speech-intelligibility
I primarily use the Sennheiser EW100 G3 gear for my lavs and wireless links for shoots. As I sometimes switch between equipment or loan/hire gear to others I thought I might just note a few of my default starting points for gain structure. SK 100 Transmitter Sensitivity when using DPA 4060 or Sennheiser ME2 (both … Read more Gain Structure for Sennheiser EW100 kit
Vox have put together a neat little video about what goes into the sound for televised sporting events. It is very American-centric in sports choices, but gives some great insight into what is involved. Check it out below.
Jeff Hinton has written a post on the Frame.io blog about “How to Keep Your Sound Editor Happy”. Written from a Sound Editors perspective, it is a useful reference for video editorial staff and film-makers covering best practises for handing over audio to the sound editorial team. How to Keep Your Sound Editor Happy (According … Read more How to Keep Your Sound Editor Happy
I have been fortunate to be involved with recording quite a bit of Foley for nature documentaries over the last little while. There are a couple of great articles from about 10 years ago that I often refer to in sound design classes that discuss the sound of nature documentaries. I won’t spoil the story, … Read more Sounds of Nature
I recently came across a video of a person going by the name wikisinger singing in different places to show the effect of the acoustics and associated reverberation. The video is similar in style to another I had previously seen of a drummer playing in various places, and you can check them both out along … Read more The Same Song Sung in 15 Places
I previously included a link to a couple of articles about the sound of sports on television (http://versed.com.au/sound-of-sports-tv). Those articles were in reference to a radio documentary program called “The Sound of Sports” produced in 2011. I recently found a link to the full 1 hour program. It is an interesting listen and you can … Read more The Sound of Sports