Tim Duck Apple have recently published a couple of specifications documents for podcasting at: https://help.apple.com/itc/podcastsbestpractices/ https://podcaster.apple.com/ The Best Practices document discusses formats and loudness. Loudness is as expected at -16 LKFS, although they don’t mention anything different for mono vs stereo which I find a little odd. It is pretty standard practice for mono content to be … Read more Podcast Specifications
A friend recommended I check out a video of one of the talks from GDC 2017 from Australian composer and sound designer Mick Gordon about his work on the Doom game soundtrack from a year or two ago. It provides some interesting insight into his approach and creativity in general. Check out the full talk … Read more Behind the Music of Doom
I just came across a video from a couple of years ago about making the soundtrack for Jurassic World. The first half discusses the sound design including field recording for dinosaurs and other Foley and loop group work, and then the second half discusses the orchestral score more. Check it out below.
Audient have posted up a neat video about the Foley process. This one is a useful resource in that it has Foley artist Barnaby Smyth from Feet First Sound working through a short scene from The Night Manager. Check it out below.
Mike Thornton from Pro Tools Expert is a bit of a guru with regards to loudness management for media production. A few years ago he did a talk at BVE 2015 which is available to view online, and provides a good summary of the changes in loudness measurement and regulation for broadcast that came in … Read more EBU R128 Loudness Implementation for Broadcasting
The film A Quiet Place by John Krasinksi is a great example of a film where sound is truly integral to the whole story. A lot of times sound is not considered too much at the script writing stage, which can make for some missed opportunities, but in the case of A Quiet Place, it was … Read more A Quiet Place — Telling a Story with Sound
Last year Mike Thornton wrote a couple of articles for Pro Tools Expert about loudness and dynamics in Cinema, including input from Eelco Grimm from the Loudness Petition Group and the results of a survey. It provides some interesting, if somewhat depressing at times, reading. You can read the full article at: https://www.pro-tools-expert.com/home-page/2017/6/21/loudness-and-dynamics-in-cinema-sound https://www.pro-tools-expert.com/home-page/2017/4/29/cinema-survey-results
There is a good article on the Backstage website discussing what goes into the sound design for “Spongebob Squarepants: The Musical”, which includes live triggered sound effects and Foley work. Read the article at: https://www.backstage.com/interview/tony-nominated-sound-designers-spongebob-musical-had-think-outside-music-box-bring-bikini-bottom-life/
There are a stack of short videos about Foley that I have linked to on this site, and here is a recent one from Mashable. It is a fairly straight-forward doco style interview which serves as a good intro to what Foley is.
Michael Cullen has set up a YouTube channel called Film Sound Tutorials with what appears to be some useful tutorials for people starting out the audio post process without the knowledge of workflow and processes. I only really checked out one of the videos to see what his process is like, and it seems like … Read more Film Sound Tutorials